PRICING

 

Upon request, we can set up any path to record your event on the basis of any equipment,
but there are a number of field-proven sets:

 

UP TO 20 CHANNELS

RME FF800 + 2 RME Octamic II + one workstation or a laptop — 10 000 rubles + transport.

A simplified version. Suitable for recording chamber ensembles and in cases of limited space.

  • Connection via a cut through scheme *
  • Minimum hardware kit/set
  • No backup recording system
  • The price includes the use of two microphones Audix F9 to record the sound of the hall.

≈ 340$

 

UP TO 32 CHANNELS

OPTION 1

4 RME Octamic II, 2 RME FF800, 2 MYKX50AES, two workstations, stock of microphones.

OPTION 2

Directout Andiamo MC, 2 RME HDSPe MADI, 2 workstations, stock of microphones.

The most commonly used set. Allows recording the majority of band types, including symphony orchestras.

  • Connection via a cut through scheme *
  • Backup recording system **
  • Allows to form a separate mix for live broadcasting
  • Allows to record for further mixing in 5.1
  • Using the stock of microphones

560$

 

UP TO 64 CHANNELS

Directout Andiamo MC, 4 RME Octamic, 2 RME FF800, 2 MYKX50 AES, 2 RME HDSPe MADI, 2 workstations, stock of microphones.

Advanced kit. Suitable for recording festivals, concerts, open-airs, events with frequent change of bands, when fast rearrangement is impossible.

  • Allows to connect up to 64 channels via a cut through scheme *
  • Allows to pick up the signal from the FOH console via MADI
  • Allows to record in 24 bit/96 000 Hz (32 channels instead of 64)
  • Backup recording system **
  • Allows to form a separate mix for live broadcasting
  • Allows to record for further mixing in 5.1
  • Using the stock of microphones
  • Allows to use sound recording kit instead of FOH console

988$

 

UP TO 128 CHANNELS

Advanced kit. Suitable for recording festivals, concerts, open-airs, events with frequent change of bands, when fast rearrangement is impossible. In case 64 channels are not enough.

  • Allows to connect up to 64 channels via a cut through scheme *
  • Allows to pick up the signal from the FOH console via MADI
  • Allows to record in 24 bit/96 000 Hz (32 channels instead of 64)
  • Backup recording system **
  • Allows to form a separate mix for live broadcasting
  • Allows to record for further mixing in 5.1
  • Using the stock of microphones
  • Allows to use sound recording kit instead of FOH console

CALL US

 

UP TO 202 CHANNELS

Maximum recording option.

  • Allows to connect up to 202 channels via a combined scheme
  • Allows to record for further mixing in 5.1
  • Using the stock of microphones
  • CALL US

* Cut through connection scheme

A way to connect the audio recording system when signals are recorded before they get to the FOH console. Allows obtaining a clearer signal and avoiding affecting the recorded material by the actions of FOH sound engineer. Also allows using different combinations of preamps and digitizers, regardless of technical equipment of the concert stage to achieve the desired sound.

** Backup recording system

Parallel recording of the same set of signals on two workstations. This guarantees that the recording will be made, even in case of software failures or any other problems on one of the workstations.